Welcome back readers to the May instalment of ‘a year in the life of reenactor.’ It has been a while since I have been able to write. Life has happened and this Viking experienced a total modern day technology outage. However all is well now and I look forward to sharing with you in this edition conversations with fellow reenactors about their journey of “impression” development.
I caught up with two members who have approached their character portrayal from uniquely personal angles, to provide true to life representations to fellows of the group and the interested members of the public, shining light on aspects of life in the Viking period.
Introducing Æthelred!
Æthelred joined our group some 3 years ago. At that stage his expectation was heavily influenced by common media portrayals, from TV shows like the Last Kingdom to the decades of Victorian inspired ‘Viking’ culture, lacking in historical accuracy. With scale mail, horned helmets and an attitude that can only be described as BAD! Take No Prisoners, Cocky, Strong and Showing Off!
His journey has seen him refine his character and indeed transform it. The key defining character trait he now embraces is that of a Christian Anglo-Saxon, rather than a Pagan Viking. It is fair to say the character now portrayed is still a little cocky, can talk the talk but not so good at walking the walk. Apprehensive rather than bold.
Æthelred told me that the journey of character development for him happened very naturally. Changing thoughts on his own personal religious stand point played a part. As well as investigating, researching and delving deeper into the societal group and the history we try to bring to light. The more he learned, the more his interest was captured with the viewpoint that the Anglo-Saxons – or Early English – were much more complex than they are often portrayed.
Æthelred’s impression 3 years on
There are unique choices we choose to incorporate into our appearance and dramatic natures. These can range from simple adornments like brooches, the clothes worn and materials they are made out of, to give a sense of where the person is from, right through to acting out character traits and flaws in our interactions with others in the combat arena and the living history camp. In Æthelred’s case, when confronted with a real life Viking, he does his best to try to show them the error of their heathen ways.
To aid the portrayal of a person of lower status who is devout, pious and Anglo Saxon. Æthelred is often seen in camp with a simple white tunic and woollen leg wraps. He enacts a reserved demeanour and appears to not have fancy trappings.
What is in the future for Æthelred?
Æthelred is looking over the next few seasons to take monastic orders and develop his calligraphy and manuscript writing skills, chandelling (candle-making) and add to the travel alter he sets up at each event.
From Æthelred to you.
Æthelred’s top tip to help you in your character development is “Don’t act who you are not, embrace your own personal character traits to form the basis of a believable portrayal. Look at those traits and find the equivalent in the period to build on to provide that realistic connection between the modern and the historical. Those of who we were then and who we are now.”
Introducing Runa
The next person for you to meet is Runa.
Runa joined our group some 9 years ago. Runa started from having never reeanacted before, with no pre-formed idea of what her journey would be. As she started to think about her character portrayal she now portrays someone from a blended Anglo-Scandinavian family. The grieving niece preparing her uncle for his funeral rites.
Runa told me that her character development came from a place of personal passion to make the subject of death not such one of taboo and more approachable to everyone. Using her passion around death positivity and regular consultation with those in the group, and the vast collection of historical and academic resources available, Runa has shaped her portrayal
Runa’s Portrayal 9 years on
Runa has a sole focus on living history so she can be found tending to her uncle’s body – a movie quality prop rather than an actual body (he doesn’t bite I assure you!) The body is treated with all the care and respect of a real person. On hearing her talk respectfully about the subject and actions involved she breathes careful life back into the subject matter and the body itself.
Her portrayal is one of an artisan – the class her family elder, the lost uncle belonged. The lost family member would have been a glass-worker where some money was available for better quality clothes made with finer, more brightly dyed coloured materials available in burgeoning urban areas. Whilst he wouldn’t have as many bright adornments as a Jarl he would have items such as glass beads representative of his trade and some additional trappings of a more complex nature.
What is in the future for Runa?
Runa has quite ambitious clothing plans for both herself and her Uncle. She hopes to make a new Kirtle and Smokkr for her and Kirtle and trousers for the uncle, as well as a plain undyed shroud – which comes from historical research around funeral garb.
Alongside the clothing design, Runa will be maintaining the research to increase her knowledge and delivery of the mortuary practices talk. Runa will be presenting this to the group at our October Living history session, the perfect thing for spooky season! So do come along and join us for that.
From Runa to you.
Runa’s top tip to help you in the journey of character development is “Join the group with an open mind and don’t be put off from asking questions from anyone you encounter. If you can find something you are already passionate about you will have the confidence to talk about it and you may find out more on that subject than you realised was out there”.
See you at our next show taking place in Repton in July. Check out our events page here for all the other places the group will be this year.
